A gallery from the salt flats
Twelve hours, one horizon, no shade. A set from the flattest place either of us has stood.
Twelve hours, one horizon, no shade. A set from the flattest place either of us has stood.
One roll of film, one grey morning, one stretch of shoreline that refused to be boring.
Twenty minutes of impossible colour, a borrowed tripod, and every fisherman in the port wondering what the tourist is doing.